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Amazon Inspire Digital Educational Resources. Amazon Rapids Fun stories for kids on the go. ComiXology Thousands of Digital Comics. DPReview Digital Photography. East Dane Designer Men's Fashion. Thirty-two mini-plays are assembled in die fahrt zur insel nantucket and all the prose until in Grammatik der Rosen three vols. Readers in search of exuberant fantasy, verbal prestidigitation and the ludic transmutation and promiscuous juxtaposition of every conceivable form, tone, register, genre and trivial topos, need look no further; those after spiritual or psychological depth, reflection on serious contemporary issues, realistic depiction of milieu and genuine historical awareness must look elsewhere.
Das poetische Werk, in ten volumes, appeared in Die Geschichte vom General Suter and Der Verrat von Novara were immensely popular, the latter play enjoying over two thousand performances.
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She worked from in New York but returned to her homeland in , only to be caught up in the political upheavals in the course of which Bukovina first became part of Romania, then in was absorbed by the Soviet Union, then after occupation by German troops rejoined Romania when that country entered the war on the German side in She narrowly escaped deportation, and was forced to spend the years —4 in hiding in the ghetto.
Thanks to MargulSperber her first collection of poems, Der Regenbogen , was published; written in the manner of the early Rilke and Hofmannsthal, it was later rejected by her as an epigonal work. Her second and most important collection, Blinder Sommer, did not appear until and was scarcely noticed; the title poem, containing reflections on the postHolocaust situation, is followed by poems evoking New York, poems on language and the art of poetry, autobiographical poems and poems of identification with the Jewish spiritual heritage.
The theme of exile with its multiple meanings is here already present and is repeated in further variations in the subsequent collections which appeared almost yearly throughout the s and s. Jeder Tropfen ein Stein appeared in B Bachmann, Ingeborg —73 Born in Klagenfurt, Ingeborg Bachmann studied philosophy from to , concentrating on Wittgenstein and Heidegger and gaining a doctorate for a dissertation on the latter.
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She spent long periods in Rome, where she died of the effects of a domestic fire accident. Although her use of imagery from nature can be related to the romantic tradition of the Stimmungsbild, behind the majority of her poems lies the concrete experience of a damaged childhood in the Austrian provinces during the Third Reich. A melancholy sense of loss and fear that personal relationships are not only doomed to transience but threatened by socio-political forces pervades her work, even when a note of fulfilment is present as in the love poems of the second collection, at the end of which she also expresses faith in the transcending power of art.
In Malina, what appears at first to be an account of the course of a triangle involving the female narrator, the mysterious Malina and her lover Ivan turns out to be a form for the analysis of a deep psychic wound with the help of Jungian categories. A complete edition, Werke, in four volumes, appeared in Bahr later championed expressionism in his essay of the same name. In he married the Wagner-singer Anna Mildenburg.
Bahr was also one of the initiators of the Salzburg Festival. Ball, Hugo — Ball, one of the co-founders of Dadaism, originally studied acting at the Max Reinhardt school in Berlin and, shortly before the First World War, became director of the Munich Kammerspiele.
Ball greeted the outbreak of war as a welcome cataclysm and sought to enlist. He was rejected, but managed to witness trench warfare in Belgium: After the war he attacked the arrogance of the German intellectual tradition in Zur Kritik der deutschen Intelligent, , turned increasingly to religion Die Folgen der Reformation and Byzantinisches Christentum and befriended Hermann Hesse. The less personal, more flippant novel Flametti oder vom Dandysmus der Armen had appeared in Briefe aus den Jahren — was published in Barlach, Ernst — Sculptor, graphic artist, dramatist and novelist, Ernst Barlach was without doubt the most gifted of those expressionists Arnold Schoenberg and Oskar Kokoschka were others who enjoyed a rich diversity of talent.
Hailed as one of the greatest German sculptors of A-Z 15 the twentieth century, Barlach also achieved considerable acclaim for his plays, and he was awarded the Kleist prize in for his outstanding literary gifts. His sculptures are characterized by a tension between an earth-bound solidity and a yearning for some transcendental reality: The play is mystical and sombre, exploring the conflict between the principle of transcendence the Father and that of immanence the Mother , with the son as the battlefield.
A brooding atmosphere prevails throughout as the son attempts to escape the clinging maternal influence; although he perishes in the struggle the knowledge of an immaculate spiritual conception is gained. Der arme Vetter continues the theme of mystical illumination, but against a realistic background: Die echten Sedemunds describes a fight for genuine values and religious awareness within a family; Der Findling is a mystery play which shows the power of love to redeem and transform. Der Graf von Ratzeburg was unfinished and published posthumously in The North German atmosphere prevails throughout most, and a wry, often clumsy, humour is often prevalent.
Barlach frequently published lithographs and woodcuts, illustrating his plays those for Der Findling are especially successful: Two unfinished novels, Der gestohlene Mond and Seespeck both published in , contain passages of striking descriptive power: His eminence in both sculpture and drama is now assured: Das dichterische Werk three vols appeared between and , was reprinted between and , and two volumes of letters were published in and Bartsch described the life of the peasants in south-west Styria and the threat of Slav encroachment; other novels he published over twenty were characterized by excessive sentimentality and pretentiousness.
Bartsch wrote with a facility which impaired his earlier reputation. Bauer, Wolfgang — Bauer was born in Graz, where he studied and has continued to live. However, he cannot be bracketed with a dated pop culture, as he uses its trappings for his own purposes, sharing with the early Handke and other Austrians a concern with appearance and reality and a stage method which demonstrates delusion and deception in ever more sophisticated variations through the way in which characters adopt roles and force them on one another through manipulation.
Werke seven vols began to appear in His Uferdasein is a collection of short stories concerned with blindness: Als etwas, was er eigentlich nie war und was ihm nie zuerkannt wurde. Vielleicht ist Oskar nur ein trauriges Symbol der sogenannten deutschen Juden in Prag. His prose style is reminiscent of that of E.
Hoffmann, and his predilection for the macabre he intended to write a Grabenbuch looks back to Edgar Allan Poe. This collection contains varied verse forms: Baum was killed by a stray piece of shrapnel in That same year saw the publication of Menschen im Hotel, one of the most characteristic novels of the Weimar Republic. A thinly veiled description of the Hotel Adlon, it cleverly enmeshes the destinies, pathetic and frequently sordid, of the guests staying beneath its roof.
She wrote her later novels in English: Berlin Hotel attempted unsuccessfully to regain the popularity of the earlier novel, although the descriptions of air-raids over Berlin have a certain graphic quality. Her autobiography Es war alles ganz anders appeared in Bayer, Konrad —64 A member of the Wiener Gruppe, Bayer remained until his death the most wilfully experimental of the five in his work and his life style. Artmann was his mentor, with whom he shared a taste for surrealism and black romanticism.
His early poetry is ejaculatory and fervent: Kasimir Edschmid described him thus: A confessional drama, Arbeiter, Bauern, Soldaten, appeared in Becher became a Communist deputy in the Reichstag in the Weimar Republic, fled Germany in February and eventually settled in Moscow.
The Neue deutsche Volkslieder and Deutsche Sonette are undistinguished. Editions of his work include Auswahl four vols, ; Auswahl six vols, ; Gesammelte Werke eighteen vols, — A three-volume Werke appeared in Grosz was an early mentor and is portrayed in the novel Das Profit Deutsch-amerikanische Chronik portray the struggle of exiles to survive in the Brazilian jungle and in New York. Becker, Jurek — Becker spent his childhood in the ghetto of Lodz, Poland, and in two concentration camps before settling in Berlin in Apparent too is its connection to the subject of story-telling, which is an abiding preoccupation of the central characters, who usually narrate their own story.
In his account of his successful career as a writer Georg Bieneck reveals himself as a careerist, opportunist and above all as a fraudulent manipulator of all those with whom he comes into contact. When his estranged wife confronts him with the truth about himself, he accepts that he has flouted socialist principles.
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Other novels focus on Jewish victims of the Holocaust whose inability to come to terms with the traumas left by their experiences renders them unwilling outsiders in either German state Der Boxer , Bronsteins Kinder , or similar figures whose failure to accommodate themselves to the expectations of their professional and social milieu leads not to active protest but to withdrawal, illness and attempted suicide Schlaflose Tage , Aller Welt Freund Neither these novels, nor the twenty-five stories of the collection Nach der ersten Zukunft , were published in the GDR.
Amanda herzlos , ostensibly a A-Z 21 private story about a woman and her relationships to three men, a conforming sports writer, a dissident author and a journalist from the West, viewed from their respective points of view, throws light on the mediocrity of life in the closing years of the GDR. Warnung vor dem Schriftsteller contains thoughts on the differences between East and West German literature.
Wir sind auch nur ein Volk is a television series on post-Wende Germany. In them reality in the form of particles of everyday life is filtered through the subjectivity of the author, who then carefully arranges these often fragmentary and disparate perceptions, occasionally conveyed in deliberately ungrammatical and punctu-ation-free form, in measured proportions to form a symmetrical whole.
Faithful to the view that the old generic divisions are no longer valid, Becker combines lyrical, anecdotal and dramatic elements, exposes the stereotyped nature of the language associated with particular activities, in order to indicate how jargon hinders access to reality, cf.